2023
Cut and painted metal shelving element, stainless steel sculpture, glass, analog photographs, seal bags, magnet, silicone rubber.
59,3 x 39,2 x 11,8 cm
2022
Found glass, plastic bag, analog photographies, rubber
65 x 46 x 5 cm
2019
Stainless steel, perspex, glass, 13x9 analog photograph
44 x 22 x 15 cm
What’s left when even our hands don't ease your pain?
“Des corps pour aider, des corps pour tomber” refers to icons, altars, or mantelpieces and is part of a series of shelves alluding to the notion of heritage and memory.
2020
Hand cut 4mm aluminium, Corian, glass, 9x13 analog photograph, colza wax
9 x 64 x 21 cm
The piece is composed of two corian brackets slotted in an aluminium bar supporting a sheet of glass. The glass holds a photograph “sealed” with a 9x13 cm block of wax.
“In the back of my mind” refers to icons, altars, or mantelpieces and is part of a series of shelves alluding to the notion of heritage and memory.
2023
Cut and painted metal shelving element, stainless steel sculpture, glass, analog photographs, seal bags, magnet, silicone rubber.
59,3 x 39,2 x 11,8 cm
2022
Found glass, plastic bag, analog photographies, rubber
65 x 46 x 5 cm
2019
Stainless steel, perspex, glass, 13x9 analog photograph
44 x 22 x 15 cm
What’s left when even our hands don't ease your pain?
“Des corps pour aider, des corps pour tomber” refers to icons, altars, or mantelpieces and is part of a series of shelves alluding to the notion of heritage and memory.
2020
Hand cut 4mm aluminium, Corian, glass, 9x13 analog photograph, colza wax
9 x 64 x 21 cm
The piece is composed of two corian brackets slotted in an aluminium bar supporting a sheet of glass. The glass holds a photograph “sealed” with a 9x13 cm block of wax.
“In the back of my mind” refers to icons, altars, or mantelpieces and is part of a series of shelves alluding to the notion of heritage and memory.